1 7

Green Chola

13" Buddhist Deity White Tara Copper Sculpture | Statue From Nepal | Decorative Copper Idol | Copper Statue For Temple

13" Buddhist Deity White Tara Copper Sculpture | Statue From Nepal | Decorative Copper Idol | Copper Statue For Temple

$1,115.00 USD
$1,115.00 USD
En vente Épuisé
Frais d'expédition calculés à l'étape de paiement.

CAA198

White Tara embodies tranquility and radiates boundless compassionate energy, instilling grace and poise in diverse scenarios. Her presence ushers in positivity and favorable outcomes. Rooted in the Four Measureless States—Loving Kindness, Compassion, Sympathetic Joy, and Equanimity—she envelops past, present, and future with her blessings.

 

Her left hand, in a graceful gesture, bestows boons with an open palm [Skt. Varada Mudra]. Flanked by a blossoming pink lotus and a closed bud, White Tara symbolizes the continuum of time. The lotus, resembling a peony and chrysanthemum, artistically contrasts her lotus throne, denoting the interplay between the present and future, and the promise of future Buddhas.

MATERIAL: COPPER WITH GOLD
HEIGHT: 13.5 INCH
WIDTH: 9 INCH
DEPTH: 6 INCH
WEIGHT: 3.50 KG
Afficher tous les détails

Have A Question ?

Eternal Brilliance Unveiled: The Mystique of Panchaloha Bronze and Artful Maintenance Rituals

Bronze is a metal alloy that has the primary composition of Copper and Tin. There is also an addition of other metals such as Manganese, Aluminium, Nickel, and some non-metals such as Phosphorus. This composition of several metals and non-metals makes Bronze an extremely durable and strong metal alloy. It is for this reason that Bronze is extensively used for casting sculptures and statues. Since Bronze has a low melting point, it usually tends to fill in the finest details of a mould and when it cools down, it shrinks a little that makes it easier to separate from the mould.

" If you happen to have a bronze statue, simply use a cotton cloth with some coconut oil or any other natural oil to clean the statue. "

 

A village named Swamimalai in South India is especially known for exceptionally well-crafted Bronze icons of Hindu Gods and Goddesses. The skilled artisans of this place use Panchaloha Bronze for casting the icons. Panchaloha Bronze is made of five metals; Copper, Zinc, Lead, and small quantities of Gold and Silver. Zinc gives a golden hue to the finished figure and Lead makes the alloy softer for the easy application of a chisel and hammer. The common technique for producing these statues and sculptures is the “Lost-wax” method. Because of the high durability of bronze sculptures and statues, less maintenance is required, and can still last up to many decades.

Exotic India takes great pride in its collection of hand-picked Panchaloha Statues. You will find the murtis of Gods (Krishna, Hanuman, Narasimha, Ganesha, Nataraja, and Kartikeya) and Goddesses (Saraswati, Lakshmi, Durga, and Parvati), and Buddha statues. You can also buy Ritual paraphernalia (Wicks lamp, Puja Kalash, Cymbals, and Puja Flag) on the website. All these statues and items have been made with a lot of care and attention, giving them a flawless finish. Their fine carving detail represents the rich tradition of India.

1. Clay model making

The making of a bronze statue or sculpture starts with preparing a full-sized clay (usually Plasticine) model of the sculpture. This allows the artist to have an idea about the overall shape and form of the desired sculpture before working with bronze, a much more expensive and difficult-to-work-with material.

2. Mould making

Once the clay model is ready, a mould of the original sculpture is made. This is done by carefully covering the clay model with plaster strips. This step is carried out in such a way that no air bubbles are formed. It takes up to 24 hours for the plaster to dry. Once dried, the plaster is then gently removed from the clay model. The removal happens easily because the inner mould is usually made of materials such as polyurethane rubber or silicone.

3. Wax filling and removal

In this step, molten bronze or wax is poured or filled into the mould in such a way that it gets even into the finest details. The mould is then turned upside down and left to cool and harden. When the wax has hardened, it is removed from the mould.

4. Chasing

Chasing is the process in which the artist refines the surface of the bronze statue using various tools to achieve fine details. This smoothens the surface and gives the statue a finished look. If some parts of the statue were moulded separately, they are now heated and attached.

5. Applying a patina

Bronze sculptures are known for their unique look or sheen on the surface. This may take several years to achieve naturally. Applying patina to bronze sculptures is an important step to make them appear attractive. Working with clay, plaster mould, and molten wax can be messy and therefore sculptors wear old clothes and remain careful. The entire process of making a bronze statue takes several months to complete. Bronze sculptures last for many centuries because of the high durability of the material. Many centuries down the line, these sculptures continue to be appreciated for their majestic beauty.

Frequently Asked Questions

Is the statue hollow or solid ?

Panchaloha bronze statues are made through a process of lost wax casting, hence they are solid. To know more about how bronze statues are made, please read our article on Panchaloha Bronze Statues. Whereas, brass statues are made through a process of clay casting, hence are hollow.

Can I see the original photo of the product ?

For original pictures of the statue, kindly email us at info@greenchola.com.

Can I return the statue ?

All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.

Can you customise the statue for me ?

For any customisation, a new bronze statue has to be made. To know more, kindly email us at info@greenchola.com.